Amid the lush greenery of his London residence, where plants intertwine with synthesizers as naturally as daylight filters through leaves, jazz musician Greg Foat is preparing to release ‘Spider Plant Blues’. Set for a May 24th launch, this two-track single revives both the digital and vinyl landscapes.

‘Spider Plant Blues’ explores the profound impact of one’s surroundings on creative output, while celebrating the essence of jazz. The tracks, spearheaded by Foat’s masterful synthesizer play, involve tight-knit interactions with his bandmates—bassist Tom Herbert and drummer Ayo Salawu. Together, they create a sound that is deceptively simple yet richly complex, easygoing enough for casual listening but layered enough to reward those who dig deeper.

In our interview, Greg will share more about what to expect from the new single, his thoughts on the vinyl format, and much more.

photo by @gregfoat

Hi Greg! Congratulations on your upcoming vinyl release, ‘Spider Plant Blues’, set to release on May 24th! What inspired you to name the single ‘Spider Plant Blues’?

I love house plants! I have been collecting all sorts of house plants over the years. I had a spider plant die on me the day I went to the studio so I recorded a blues for him.

How would you describe the vibe and overall feel of this track? And, how does it stand out compared to your previous single, ‘Snake Plant Shuffle’?

It’s a similar track harmonically and melodically but I explore a different rhythm and feel. With more of a bouncing Shuffle beat.

I’m genuinely curious about what inspired you to decide to release this single on vinyl, especially considering the digital trend nowadays. It’s refreshing to see someone embracing the classic vinyl format. What led to that decision?

Vinyl is having a renaissance! I’ve established myself as an artist that sells vinyl records already so it makes sense to release this as a 7”. It’s already doing well on preorders!

What do you see as the main differences between digital and vinyl formats, and how do you think these differences affect how people perceive your music?

Digital is convenient but ultimately disposable. People want to own the music in a physical format. It’s an artefact or ‘collectable’ also with vinyl you don’t have to worry about adverts or sponsored posts. It’s more of an immersive listening experience.  

I’m really curious to learn more about how ‘Spider Plant Blues’ came to life. Could you share some insights into the creation process and how you worked together with your bandmates to bring this track to fruition?

I honestly work best when I have a deadline. Most of my best music is composed spontaneously in the studio with minimal preparation. It means the recording sounds fresh and not stale or over rehearsed. This is about years of practise and concerts and studio work as professional musicians. It means inspiration can flow faster and easier in the moment. 

photo by @gregfoat

When we talk about jazz, it’s about the whole philosophy, this mindset of embracing improvisation and spontaneity. How do you personally interpret the philosophy of jazz, especially when it comes to those moments of pure creativity on stage?

It is freedom through knowledge. The ability to transcend the mechanics of music into the flow state of creativity. I love playing with jazz musicians that inspire me and together we can be greater than the sum of our parts.

How has this idea of freedom of expression and individuality, which is so central to jazz, influenced the way you approach your own music?

I have learnt to not imitate others but to find my own musical voice.

Are there any plans for releasing a new album from you this year?

Absolutely! I love recording new music so expect plenty more to come this year!

Coming back to the stage with a tour across Belgium and the Netherlands this summer must be an incredible feeling! Can you tell us a bit about how you’re anticipating the tour ? Also, are there any specific venues or cities on your tour that hold a special place in your heart, and what’s the story behind that?

Yes I am looking forward to touring again. I have played so many venues over the years but I think Ronnie Scott’s is my favourite. The heritage of that jazz club makes me feel so honoured every time I play there. 

What’s the most unexpected or memorable moment you’ve experienced while performing live?

My favourite moment is when I had just finished playing ‘Leo Theo’ with Gigi Masin in Bristol and my 3 year old son called out from the back of the auditorium ‘Daddy!’ The audience knew the song was for him and they all let out a collective ‘awwwww!’ It was a special moment’.

Connect with Greg Foat via Instagram / Facebook

*This interview was made possible by Quite Great PR