Category: Album
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Stephen Braude’s “Big Dipper” Lets One Tango Take Up Plenty of Space
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Stephen Braude asks for “steaming sensuality, and a rose between your teeth” in his description…
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The Wandering Divide’s Norte Del Sur Gave Me a Great Opening, a Quiet Finish, and Plenty to Talk About
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When a pitch email starts with the words ” indie‑folk ” I usually get ready…
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MOMARZ Brings the ’90s Dance Floor Back with THE NEW MAINSTREAM
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MOMARZ returns with his album, THE NEW MAINSTREAM a fourteen-track record arriving on December 4…
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Thirty Years Together Pays Off on Ned Farr & The Good Red Road’s Ruminations
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Ned Farr & The Good Red Road is a New York band that has played…
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2ŁØT’s RE/SOLVE Is a Rave Having an Existential Crisis
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After two full plays of RE/SOLVE, I gave up trying to sort 2ŁØT into a…
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Matt Hansen’s Orchid (Deluxe) Review: An Impressive Debut Buried Inside a Huge Tracklist
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About halfway through Orchid, I realized that Matt Hansen treats vulnerability as a physical event.…
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Val Made Heartbreak Sound Dangerously Polite on embers
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Val’s second album, embers, gives the Chilean singer-songwriter ten songs to answer a difficult question:…
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Reggie Pryor and Jeremy Monteiro Bring Two Generations of Singapore Jazz Into Close Conversation
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Indonesian-born, Singapore-based vocalist Reggie Pryor returns with his second full-length project six years after Love…
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After the Crowd, Before the Next Town: Finn Pearson in Transit
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An EP called Rush Hour at The Servo begins with a joke about scale, reducing…
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What Happens When Simon Talbot Meets RG Williamson? Collaborate Gets Loud
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By the time the guitars have fully taken over Collaborate, the album has already established…
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Wild West: American Stories: Grant Maloy Smith’s Double Album Comes With Its Own History Book
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Grant Maloy Smith walks into Wild West: American Stories with eighteen songs, a hardcover companion…
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How Slow Can Rock Go Before It Erupts? Inside Aaron Andreu’s Criaturas Nocturnas
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Revisiting Criaturas Nocturnas in 2026 means hearing a 2023 LP that was already looking backward…
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What Would Aliens Think of Humanity? Fella Cederbaum Searches for Answers on Aliens Are Watching
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On her third poetry album, Fella Cederbaum gives extraterrestrials the best seat in the house…
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Can Recovery Ever Sound This Messy, Funny and Alive? Inside JOHKES’s Peace I Can’t Wake To
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The title Peace I Can’t Wake To makes a disturbing bargain before the album begins:…
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‘Ars Erotica: Volume I’ Review: -ii- Build a Whole Religion Around Desire
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Three songs into Ars Erotica: Volume I, I had heard sin, saints, leather, pearls, group…
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Psychedelic House with Balkan Nerve: Paradiso by Mèraque
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Amsterdam-based collective Mèraque grew from the shared fascination of percussionist and sound artist Jorick Bronius…
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Ari Selva & Vaynex Pack Camera di Pressione With Italian Flow and Swiss Boom-Bap Precision
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Before Camera di Pressione, Italian rapper Ari Selva and Swiss producer Vaynex had already tested…
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My Favourite Song on Acacia Grace’s Moonchild Became Obvious Before I Had a Critical Reason
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Acacia Grace, an independent singer-songwriter working across neo-soul, R&B and jazz, spends her second album…
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First Flight by Jazz Veteran Judi Silvano: Free Improvisation, Bassoon and 33 Minutes of Beautiful Friction
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Three minutes into First Flight, I had already moved through curiosity, irritation, laughter and surrender.…
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Selkie Waits Until the Final Track to Give inWaves a Body
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Beginning before language and ending inside a defined rhythm section, inWaves turns six tracks into…
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Son Tensei Confronts Corporate Speed and Digital Pressure on Virtual Island
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Christopher R. Kramer spent fifteen years producing as half of Son Tensei before placing his…
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Outsideness’ …Then After? Examines Who Controls the Terms of Closeness
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I kept returning to the title because then and after occupy adjacent positions in time…
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Alone At The Movies Keeps the Projector Running After Jaewon’s Romance Ends
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By calling the album Alone At The Movies and filling its track list with titles…
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AstroVoyager Searches for a Better Planet on Mission SuperHabitable and Finds Something Closer to Home
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A concept album about searching for a planet more liveable than Earth should logically produce…
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Freidrich$ Has Somebody on His Mind Across We’re A Long, Long Way From Home
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A second person occupies nearly every corner of We’re A Long, Long Way From Home.…
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in the dirt Sends NAYAN From a Full-Speed Start to a Pitch-Black Finish
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Nayan turned fifty, took the milestone into Magpie Cage, and came out with an EP…
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Ofrenda: Poems of Devotion & Resistance Finds Bella Baxter Building Rituals From Bruises, Breath and Noise
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Before the first beat has finished settling, the word ofrenda has already changed the terms…
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Punk, Folk and Private Damage Collide Across Bellends’ Rowdy New Album So It Goes
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Bad weeks, late nights and one final attempt to get your life together all fit…
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AJ Blakeney-Lewis Brings Polished Pop Back Into the Spotlight on Green Scene
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Somewhere along the way, independent pop learned to treat polish with suspicion, which makes AJ…
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Exclusive Review: Azwel Opens the Doors to Lives in Motion Ahead of Its September Release
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I am exactly the sort of woman who invents private histories for strangers in cafés,…
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Jon-Olov Woxlin Turns Stubborn Habits Into Country Gold on The Mountains of My Home
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By album eleven, I expect either immaculate self-knowledge or a spectacularly stubborn set of habits.…
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Jupiter’s Kiss Returns After Three Years With “Do U Wish 2 Continue?”
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Jupiter’s Kiss returns after three years with a title borrowed from a screen waiting for…
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Twenty String Quintet Works Test the Limits of Memory on Pilpil Music’s “Faces & Places”
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Twenty pieces for string quintet is the sort of proposition that makes a casual listener…
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Punk Hooks and Scraped-Knuckle Energy Run Through Blister’s numb
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I have a bad habit of overthinking garage-rock records, partly because the genre keeps daring…
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Anemones For Aphrodite Has Funk, Fog and Several Giraffes Sudden Merganzer Still Need to Explain
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I called Anemones For Aphrodite eighties cosplay during its opening minute and had to withdraw…
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East of West Let Every Instrument Take the Lead on Velella
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Eight years into playing together, East of West have reached the stage where three instruments…
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The Beautifully Messy Ambition Behind Rupit’s Debut Album NEU
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Rupit enters public view carrying an entire mythology, with Bernardo van Bemmelen presenting music, fiction,…
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Sal Weston’s “Darlin’” Through the Lens of 1970s Singer-Songwriter Warmth
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Fourteen songs came out of Sal Weston’s home studio in Jamaica Plain, and Darlin’ carries…
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The Violution’s Undercover Made Me Hear “Toxicity” Differently After All These Years
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Cover albums usually arrive with a built-in argument about memory, loyalty and how much renovation…
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My Unexpected Favorite on Jaden Sade’s Stardust Through Decades
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Jaden Sade has spent enough time inside his own head to know the furniture, and…
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Riven by Ravens Plot a Darker Comeback With the Seven-Song EP Hunter
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Venerate gave Riven by Ravens fourteen songs to carry across the West Coast, and the…
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Tara Craig Doesn’t Pick Between New Romance and World-Weariness. She Just Writes Both.
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Six songs is not a lot of real estate to cover new love, self-preservation, getting…
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Orquesta Filarmónica de la UNAM’s Jazz Sinfónico Mexicano: Mexican Jazz at Symphonic Scale
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The word sinfónico suggests grandeur, and Jazz Sinfónico Mexicano obliges for a while. Then a…
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Lia Sky’s it isn’t real Review: A Breakup EP with Its Doubts Fully Audible
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Halfway through my first play of it isn’t real, I had already written “confidence” twice…
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Bozeman Dreamgaze Band Stonefruit and the Expansive Sound of Good News Only
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Four people left Bozeman with ten songs and drove through the night toward Washington. By…
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Exclusive Review! The Long View of Hope on My Girl The River’s Manifest Good Things
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The phrase “emerging artist” carries an invisible date stamp. By the time a songwriter reaches…
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Just Ask Wyn by Wilson Wyn: A Three-Act Digital Soul Story for the Algorithmic Age
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Most music now reaches the listener through a screen that rewards speed. A title appears,…
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Young Allies’ Fingers Entwined: Good Taste, Careful Songwriting and a Debut EP Ready for Greater Risks
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Fingers Entwined made me think about good taste, a slightly dangerous compliment in a record…
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Simon Talbot’s Tangerine Dream and the Audacity of Naming an Album After Your Heroes
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Putting Tangerine Dream on the sleeve of your thirty-fourth album takes nerve. It also creates…
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Today’s Malaise by Celestial Skies: A Restless Portrait of Britain’s Online Present
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By 2026, “content” can mean a song, a face, a political crisis or a sandwich…
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A City Nickname in Full Colour: Rob Dixon and the Soul Jazz Character of Indianapolis
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The name “Naptown” suggests sleep. Rob Dixon answers with motion. Within the first minute of…
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The Best Moment on Floyds Row’s The Carlisle Sessions Caught Me Off Guard
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George Washington danced to the song that opens this record. I have every reason to…
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On Born to Surf, Nuno Freitas Finds What Lana Del Rey and The Beach Boys Have in Common
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Cover albums tend to reveal more about the artist recording them than about the songs…
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Beautiful Mess Is the Return Album That Goes Louder and Stranger the Further You Get Into It
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Eight years is a long time to be away from music when music is what…
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Deep Wimp’s Name Always Sounded Like a Joke. Longtime Beginner Changes That.
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Band names are a commitment you make before you know what you’re committing to. Deep…
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Tom Ricci’s Happening in Buenos Aires Proves That “Creep” Can Sustain a Jazz Treatment
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The word “happening” carries history. In the art world of the 1960s, a happening was…
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Omen Is Pierre to a degree’s Case That Electronic Music Can Follow Invisible Signs
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Paulo Coelho’s The Alchemist is one of those books that divides a room cleanly in…
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On The Dangerous Unc, BLIZM Finds the Corner of Hip-Hop Nobody Else Is Working
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You could file The Dangerous Unc under hip-hop and be technically correct, but you’d be…
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Simon Talbot’s Compendium Is Heavier and Sharper Than Anything He’s Made Before
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Thirty-three albums. I want to stay with that number for a second before talking about…
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Stephanie Babirak’s Rotten Fruit Asks If You’re Born Bad or Built That Way
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photo on the cover by David Zayas Jr Naming a harp album Rotten Fruit is…
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Octopus Fox: Shu Lee’s MFDM Experiment Is Sprawling, Uneven, and Frequently Remarkable
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Shu Lee‘s third solo album arrives with the kind of ambition that makes a critic…
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San Antonio’s Jet Lag Motel Debuts With Self-Produced No Vacancy, Bigger Plans Already on the Way
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San Antonio has been quietly building a rock scene that runs on its own energy.…
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Kayze’s Renaissance Wraps Its Sharpest Ideas in Glitter
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The first thirty seconds of “Demons” glitter. Wide-screen synths, a stereo field that seems to…
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Jacob Tell Under The Influence Review: The Best Moments and What It Says About His Next Album
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Jacob Tell could have waited. After Hard To Be Human he had every right to…
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“Kunlé – The Journey” Album Review: His Genre-Spanning Second Album Through Folk and World Music
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Seven tracks recorded in a home studio, and somehow Kunlé – The Journey sounds like…
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Quiet as a Mouse Returns With Ten Tracks of Coastal Indie Rock and One Very Loaded Ellipsis
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That title — with its comma, its ellipsis, its dangling “but” trailing off into silence…
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Victoria George Came Back From the Hardest Year of Her Life and Made Her Loosest Record
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Albums born from real suffering have a reliable instinct: open with the suffering. They front-load…
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On Undecided, Cam Elise Strips Everything Back and Finds More
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Somewhere around the fourth listen of Undecided, I caught myself doing something I rarely do…
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‘Raíz y Recuerdo’ by Jordi Forniés: Quiet, Careful, and Harder to Shake Than Expected
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I should admit something up front: I’ve been listening to Raíz y Recuerdo in a…
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Scooter Scudieri’s The Musical Bruises of a Recovering Dreamer: Seven Years Before Sunrise, One Album Worth Staying Up For
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Calling this a debut feels wrong, even though technically it is. Scooter Scudieri has been…
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Controlled Eruption: Georgie Najar Makes Four Tracks Feel Like a Complete Argument
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Most singer-songwriters working in the space between indie rock and confessional pop will tell you,…
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Peruvian Rock Rarely Sounds This Bold: B’RESHITH’s Gemido de Hoguera Reviewed
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I have a theory — unproven, possibly stupid — that the best rock albums from…
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Tickets Are Selling Out Fast and Here’s Why Cordell Winter’s Tour Is the One Show You Can’t Miss This Year
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Cordell Winter has a story that works in his favor from the first moment you…
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Longfield & Super Skeleton Kick Off Summer With Their Most Unguarded Rock Album Yet
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Twenty-seven syllables and a comma. That is how much space the title of Longfield &…
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Lewis Jack Inman — “The Squeeze”: Ten Ways to Exist Under Pressure Without Repeating Yourself Once
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Lewis Jack Inman has released his album “The Squeeze” — ten tracks of alternative rock…
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Ava Valianti Calls Her Second EP a Failure — and Proves the Opposite Across Six Tracks
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The term “sophomore slump” has a specific history. It was coined by American journalists to…
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Mud, Whiskey, and a Road That Changed Everything: Hurd Road Rhythm Section Is JD Kucharik at Full Voltage
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In 1969, somewhere deep in the rural countryside, JD Kucharik drove down a road that…
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The Twelve Acts of The Hensyn Night Blues: D.O.C.C Music Find Magic in Structure
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D.O.C.C Music have released The Hensyn Night Blues (An Audio Drama Written By Carlos A.…
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Let’s Trip — Boundary Passage: A Way Home: Six Days on an Island. One Route Back to Yourself.
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I’ve long noticed a habit of mine: when I genuinely like an album, I put…
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Junk Fingers Deliver a Ferocious Rock Ride on ‘Audrey’s Fever and Other Stories’
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Junk Fingers have released Audrey’s Fever and Other Stories — thirteen tracks recorded by a…
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Alex Kilroy — “Break My Chains”: The Blues That Unchained Itself
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Blues has always been honest music. It was born on porches, in smoke-filled clubs, among…
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BURN’s Chopped and Shattered Is Best Heard at Night, With Your Eyes Closed
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Trip-hop has always possessed a strange quality — it aged beautifully. Massive Attack records from…
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Mystic Meets Muse: Gerry Morgan’s Sensual Eastern Fairy Tale That Will Steal Your Heart
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You know dreams aren’t useless, that they can give you more than they appear to…
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Alternative Heartache, Carnival Glitter, and Tarot Storms — Welcome to Howard Louis’ World
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Howard Louis from Philadelphia took everything he knows how to do — rock, alternative, pop,…
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Matt Hansen — ‘Orchid’: A Debut Album That Risks Being Too Honest
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Matt Hansen, a twenty-five-year-old from Los Angeles with a billion streams behind him and no…
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A.M. Folk’s Nil: Less Than Nothing Adds Up to Something Whole
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Thirty years is long enough for a band to live several lives. Break up, reunite,…
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Lawrence Kim Finally Steps Out From Behind the Curtain — And the View Is Worth the Wait
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Four decades is enough time for a musician to put out a discography the size…
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On Still High…, Raw Soul Proves That Independence Has Its Own Kind of Gravity
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Eight tracks — and you realize someone has spent the last few years alone with…
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The Nth Power’s Never Alone Is a Jazz-Funk Album That Trusts the Listener
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The Nth Power have a habit that says a lot about this band: they release…
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Russ Lorenson — A Little Travelin’ Music (20th Anniversary Edition): A Jazz Album That Travels the World and Finds Its Way Home
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Twenty years is long enough for an album to become a stranger to its own…
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Louis Emory and The Reckless Few Built The Siege to Be Lived In
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I’ve long noticed a habit of mine: whenever someone puts on a new rock record…
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Pete Scales: The Bluesman Who Filed His Entire Career Under One Shade of Blue
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Pete Scales spent half a century playing blues, jazz, and country, balancing on the borders…
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Reimagination Vol. 1 by M4TR : The Remix Album You’ll Need to Hear Twice
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“Reimagination: The Remixes, Vol. 1” by M4TR is built like a hall of mirrors: you…
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Simon Talbot and Peter Toussaint Expand Their World on “Simon Called Peter III”
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Simon Talbot and Peter Toussaint return. “Simon Called Peter III” is their third collaborative record, and it is longer, more…
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QR Codes on the Streets of Denver Are Opening Portals to an Anime Dimension — mOXIE mOTIVE Put Them There
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Thirteen minutes of animated ambient from Denver, where five remastered tracks from Chakra Supernova transform…
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Paul Kahn’s Forgotten Songs Finally Found the Right Voice — Catherine Russell’s
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Songwriter Paul Kahn has released Willingness, a six-track country EP recorded with Grammy® winner Catherine…
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Jada Di’Larosa Made an Album That Smells Like Black Lipstick and Tastes Like Bourbon
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Jada Di’Larosa turned a vanity table into a stage and a sleepless night into a…
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The Joe Levy Band — “Porch Rockin’”: A Country Album That Stopped Pretending to be Pure Country — and Became All The More Honest For It
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The Joe Levy Band have made “Porch Rockin“ — nine tracks where country, blues, and…
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Legend Is Back! Jernej Zoran’s Eighth Album Proves Patience Is the Ultimate Rock Virtue
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An eighth album is a strange point in a career. The first is a debut.…
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Somewhere Between Sleep and a Séance: Outsideness Drops “…From What?”
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Freidrich$ and Azalias joined forces under a shared banner — and the result buries club…

