Kevin “Sonny” Gullage is a name that may not yet be a household word in the world of blues, but judging by his debut album “Go Be Free,” it’s not only within his reach, it seems almost destined. This artist, who is simultaneously a talented vocalist, songwriter, and keyboardist, has already caught the attention of many. And with a background like his, it’s no surprise.

photo by Ingrid Williams

The album was recorded at one of those legendary studios that have their own stories. There’s a certain symbolism in this because Sonny himself seems destined to become part of musical legend. After years of training, performing, and dedicating himself to honing his craft, he has finally released his first full-length album. And in this album, produced by none other than Grammy-winner Tom Hambridge, Sonny’s unique style is already evident.

Sonny began performing at B.B. King’s Blues Club in New Orleans, a place that’s like a Mecca for blues musicians. Just being part of that scene speaks volumes about his early recognition as an artist. However, it was his participation in American Idol, where he advanced to the Showstoppers round, that truly catapulted him into the spotlight. For many of his peers, this show has been a ticket to the big leagues, and Sonny undoubtedly seized that opportunity to its fullest.

But let’s take a moment to step away from his successful career and focus on what really matters—the music. In “Go Be Free,” each of the 12 tracks feels like an ode to the love of blues. His vocals grab hold of you and don’t let go, his keyboard work is flawless, and the overall sound of the album is genuinely exhilarating. This is one of those rare instances where the music transports the listener to another world—a world of passion, pain, and redemption, which is so quintessential to the blues.

The album kicks off with a bang—”Just Kiss Me, Baby” bursts in like a rogue crashing a party. The rhythm is so infectious that your feet start moving on their own, the keys tease your ears, and Sonny’s vocals are a force unto themselves. He sets the bar so high from the start that you can feel your heart leap.

Then comes the title track, “Go Be Free,” which crashes into your consciousness like a shockwave. The rhythm chugs along like a train on the tracks, and the atmosphere is so electrifying that sitting still isn’t an option. This song is like a breath of fresh air, tinged with the scent of Southern churches where gospel and blues meld into something truly powerful. It never lets up for a second, holding your attention and making you sway along to the beat.

photo by Ingrid Williams

And then comes the moment when you hear “Things I Can’t Control,” and a whole new story begins. Sonny slows things down, as if he’s lost in deep thought. His vocals are romantic, with strong blues undertones, and instantly, scenes unfold before your eyes, like something out of an old movie.

In “Separate Ways,” Sonny introduces us to a jazzy world. Here, he tackles social issues—economic struggles that his generation faces. His voice becomes a bridge, connecting people and raising important questions that often go unnoticed.

But then, “Stop That Stuff” explodes onto the scene. This track, full of vibrant rhythm and flawless keys, hits you right in the nerve. Sonny’s voice gets to the core, and once the melody grabs you, there’s no way you can sit still. It’s a true gift for those who appreciate great blues—everything here is perfect, from the unique performance to the impeccable solos that make your heart race.

And then, when “Tattooed Wings” plays, the room fills with a moody blues that envelops you like a mist. The keys and guitar create an atmosphere that sends chills down your spine. The shifts in mood and style make you pause for a moment, but then immediately immerse you in the pure pleasure of perfect blues.

The track “Hot House” is pure, stylish Delta blues that grabs you right away. From the first notes, you’re plunged into an atmosphere of fresh, new sound. Sonny’s vocals here are simply stunning, and the backing support adds texture and depth.

The album closes on a tender note with the track “Home to You.” This song feels like a love letter, drenched in admiration. The conclusion of the album is stylish and unhurried, featuring vibrant horns, a smooth rhythm from the drums, and keys that seem to wrap around your consciousness. Sonny’s voice is full of hope, and the lyrics add depth, leaving a lasting impression. This kind of finale is like an ellipsis, urging you to revisit the album and listen to it all over again.

With “Go Be Free,” it becomes increasingly clear that Sonny Gullage is the new voice of a generation ready to take the baton from the great bluesmen of the past. This album feels like a promise that there’s much more to come. And if “Go Be Free” is just the beginning, it’s safe to say that Sonny is someone to watch. He’s definitely not stopping here, and we eagerly await his next move.

Connect with Sonny Gullage via Instagram

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