In rap, the first statement is always crucial. You can release dozens of freestyles and basement videos, but it’s the debut album that shapes an artist’s image. Grammar Tha God comes in unapologetically bold: while the album is still heating in the oven, he drops the single “DEMONS” straight on the table. Let’s see why this track and the upcoming album are exactly what true hip-hop listeners have been waiting for.

First, about “DEMONS“. It’s a lyrical takedown – Grammar Tha God dismantles those who pretend to be demons but in reality are nothing more than low-grade clowns, scaring the weak and trying way too hard to look tough. He rides the beat effortlessly, with so much confidence you can actually feel chills running down your spine. The beat is simple but infectious: trap-rooted, the bass bounces like mad, the hi-hats snap at high speed, the cellos (I might be mistaken, but I caught some Egyptian motifs there), and the keys are the cherry on top, adding smoothness and memorability. And it works, it works one hundred percent.

Why should this matter, and why should every hip-hop fan pay attention to Grammar Tha God? Because Australia still isn’t in the front row of hip-hop. The US and the UK dominate the market, Europe occasionally chimes in. And yet here comes Grammar delivering a sound that genuinely clicks. He feels natural whether in Melbourne or in Brooklyn. That’s the strength of an artist: taking straightforward techniques and turning them into a universal weapon.

“DEMONS” grips you with its honesty. There’s no sense of strain, nothing forced. It’s direct: here are the lyrics, here’s the beat, here’s me. That’s it. And it hits harder than any polished production stacked with twenty layers of autotune. After “COWARDS & PRETENDERS” and “FEAST“, where he already showcased his style – euphoric, combative, yet always conscious – this single only reinforces his presence.

Black Music Group are pushing him hard, and they’re doing it right. I’d say it’s a sure shot. If the upcoming album keeps up this energy, Australia’s Most Wanted could become his entry ticket into the big game. Because artists like him don’t just drop in for a weekly hit – they build foundations.

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