When your body craves a bright, energizing drink, it somehow always turns out to be far away, or something prevents you from reaching for it right now. In such cases, a song filled with pure energy becomes salvation—and “Done” by Grace de Gier works exactly like that.

Grace de Gier sings in a way that makes rock music stop being a genre and become physiology. Her voice leaps from whisper to roar without any warning—the transitions are so organic they seem like reflexes, and her singles are assembled from shards of real experience that were still cutting deep just yesterday.

Multi-instrumentalist Edgar Grimaldos recorded the arrangement in Paris, and you can hear it: there’s a European elegance that packages raw energy into a form where nothing is superfluous. Seven-time Grammy winner Adam Ayan put his stamp of approval on the track, which in the industry means about as much as a Michelin star in a restaurant. But the main thing is—the song hooks you without any credentials.

The guitars here are the main argument. They crash in during the first ten seconds and maintain their grip until the end: overdriven but legible, aggressive but melodic. Grimaldos knows when to let them run wild and when to dim them under the vocals. The drums hit straight, without any tricks, and the bass line crawls beneath it all as a dense wave. Grace’s voice sits in the center of the mix—loud enough to dominate, balanced enough to let the instruments keep speaking.

“Done” works as an internal push. On those days when the mirror seems like an enemy and leaving the house requires heroism, this song flips some kind of switch. Grace paints the gray world in toxic colors, and suddenly you start believing that mountains yield to bare hands. A person genuinely feels capable of anything—though this power, understandably, lives in the moment. After the first surge, quiet seconds appear, and Grace plays them with the same conviction as the loud explosions. How she manages to be simultaneously a tank and a whisper is a professional secret you want to decode.

I listened to “Done” on those mornings when getting up was physically painful. The track acted like a kick—rough, but necessary. Grace de Gier created a song for everyone who gets stuck in doubts for half the day, who forgets that small victories count too, who drowns in the news feed and loses the sense of their own power. “Done” is about that dormant energy that needs to be shaken awake before an exam, a first date, an unpleasant conversation with the boss. The rhythm here is invested generously, the professionalism is obvious, soul is present—ignoring such a message is difficult.

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