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The Beast Has a Name: Rage Unfold Draw First Blood With “Omen”

Hard rock has long settled within its own banks. The formula is tested, the instruments are in place, the tempo is set. The listener’s expectations are concrete: power, directness, fire. Rage Unfold accepts those expectations and starts working with them — while pushing their complexity to the absolute limit. “Omen” employs multiple time signatures, and that decision instantly breaks the familiar mechanics of how a heavy track is supposed to be heard. The listener, braced for predictable alternation, suddenly finds the ground slipping away beneath them — and that is precisely the sensation heavy music exists to deliver.

The track’s dynamics are built on tempo shifts. The melody accelerates, then deliberately pulls back, and that oscillation is where the real tension lives. The fast sections never collapse into monotonous force, and the guitar work generates a storm-dense wall of sound that holds the entire structure together. And then the solo arrives — and it’s an absolute shredder. The kind of speed that makes you rewind just to confirm your ears weren’t deceiving you.

Siegfried Schüßler’s vocals are a story of their own. Fiery, roaring, rooted in classic rock — they function as the point of maximum tension around which everything else is constructed.

One thing worth saying separately: with all its density and complexity, “Omen” exists as a single — meaning it’s a statement rather than a fully developed argument. The time signature changes and dynamic swings that land so convincingly here clearly demand more space than one track allows — at least, that’s what I find myself wanting. That said, this is an argument in Rage Unfold‘s favor rather than against them: the material obviously exceeds what a single can contain, and what they’ve packed into one song points toward a potential still waiting for a longer format to fully realize it.

“Omen” is a strong first introduction. Rage Unfold announce themselves with force — which in hard rock happens less often than it should.


Natali Abernathy Avatar