Two Fields Over don’t flinch from it. “Museum of Useless Endeavors” takes the Uruguayan writer’s conceit — a neglected museum where a clerk named Virginia catalogs the accumulated wreckage of failed human ambitions — and turns it into something that feels less like an adaptation than a séance.
What elevates the track beyond a literary curiosity is the way it telescopes outward from the intimate to the political. The timestamps are devastating in their precision: 1946, the museum’s founding among postwar ghosts; Uruguay 1975, when Pinochet-era darkness flooded shelves with state-manufactured lies; and then the gut-punch pivot to “Washington, 2025, it reopens / and a country disappears.”
ADVERTISEMENT
EXCLUSIVE
ACCESS
Indie Boulevard Magazine
Discover the Indie Artists Shaping the World!
Unleash the Indie
Latest Issue
for just €2.99!
If there’s a criticism, it’s that the song’s middle section could stand a stronger melodic shift to mark the escalation of its political stakes — the musical temperature stays a touch too even as the lyrics sharpen their teeth. But that evenness might also be the point: history’s horrors, Peri Rossi understood, tend to accumulate not with a bang but in quiet, underfunded rooms where someone like Virginia keeps turning pages.
*The song was submitted via SubmitHub. The editorial decision was made independently.
