In the heart of the Mississippi Delta, where the soulful melodies of the blues were born, an extraordinary artist is merging music and history in a campaign that resonates with reverence and renewal. Son of the south soul musician HeavyDrunk has embarked on a collaborative endeavor with Visit Greenwood, breathing life into the ‘Redeeming Robert Johnson‘ campaign.

At its heart is the mission to revive the final resting place of the legendary Blues icon, Robert Johnson, and the hallowed grounds of The Little Zion Missionary Baptist Church in Greenwood, Mississippi. The poignant album, ‘You Don’t Know Me,’ released on July 15th, serves as both a melodic masterpiece and a rallying cry. Leading with the titular track, ‘You Don’t Know Me,’ the album’s gospel-infused choirs and HeavyDrunk’s distinctive, gravelly vocals transport listeners on a profound journey of sound and soul. Robert Johnson, a luminary revered by the Rock and Roll Hall of Fame as “the first-ever rock star,” left an indelible mark on music history with a career lasting a mere 7 months. His influence echoes through generations, and now HeavyDrunk seeks to honor this legacy by reviving the sacred grounds that hold Johnson’s remains. Beyond the music, HeavyDrunk’s life is a medley of passions. From his resonant notes on stage to his culinary prowess, he has left an impression in more ways than one. Having owned and operated the renowned Puckett’s of Leiper’s Fork, HeavyDrunk’s culinary creations are as much a testament to his creativity as his music.

Today Indie Boulevard delve into this interview with HeavyDrunk, we uncover not just a musician, but a visionary who’s weaving together history, music, and community in a harmonious symphony of revival.

INDIE BOULEVARD: It’s an absolute honor to talk with Heavy Drunk. Well, I must say, it’s truly fascinating to learn about the ‘Redeeming Robert Johnson’ campaign and your mission to restore the burial site of the iconic blues legend. The history and significance of Robert Johnson’simpact on music cannot be overstated, so I’m genuinely curious to know, as an artist, what was the driving force behind your decision to take on this important endeavor? Was there a specific moment that sparked your passion for preserving his legacy?

HEAVY DRUNK: I was in Clarksdale, Mississippi Playing the JukeJoint Festival earlier this year and I had an extra day so I drove to The LittleZion Missionary Baptist Church on Money Road in Greenwood. When I arrived some church members including Mrs. Clora Greene were there cleaning up the church, getting ready for Sunday Service. I entered the church to put some money in the offering plate and struck up a conversation with Miss Clora. She told me how the church was struggling with keeping up the grounds as well as the building. It occurred to me that folks like me who are Robert Johnson fans, would want to donate to the upkeep of his grave. Miss Clora and I prayed as we talked and it seemed this was a path of righteousness, where I could help.

IB: As an artist with a passion for soul, blues, and Americana, how did you find the creative process for your latest album ‘You Don’t Know Me’?

HD: I still have some stories to tell, and I am always noting hooks and Melodie’s and grooves. I had built a loose sketch of most of the new songs, and when I began to pull them together, I found a couple I had written in the past that fit right in, as well as a couple of tunes I regularly cover, that I wanted to add.

IB: Tell us about your experience meeting the members of the church and visiting Robert Johnson’s grave. How did that encounter shape your commitment to helping the Little Zion Missionary Baptist Church and its restoration?

HD: Restoring Robert Johnson’s grave gave the record a purpose, which lit a fire in me. Art for arts sake is a blessing, but music and art with a redeeming purpose is something more. With the legend of Robert Johnson, you would never think his grave would not be well maintained. I was blessed to be able to shine a light on this, and we are already making great strides. Visit Greenwood has stepped up to lend a hand and we are setting up a fund to continue to support the restoration and upkeep of the site as well as the historic church, which was also featured in the movie, The Help.

IB: ‘You Don’t Know Me’ features an impressive lineup of musicians. Can you share some stories or memorable moments from the recording sessions with such talented collaborators?

HD: Roy Agee is so great on Trombone, he and the Heavy Horns really brought these tracks to life. Roy’s trombone solo on 47lb Rooster was his first take. We casually hit record, and he nailed it. Casey Wasner and I immediately looked at each other and said, “Well, That’s Done!” Etta Britt and Jackie Wilson came in together on the background vocals. I was sick and had to participate via phone. The girls crushed it, classic stuff. I used The Deltaz, a duo of brothers for drums and guitar. They are a great act in their own right. Kurt Stowe, Alison Prestwood, Casey Martin, Brian Allen, Emanuel Echem, Evan Cobb all shine throughout. Casey Wasner kept it all warm and fat.

IB: The lead single from your new album, ‘You Don’t Know Me,’ showcases a unique blend of gospel, soul, and blues. What message did you intend to convey through this song, and how does it tie in with the campaign’s purpose?

HD: The song is really about how love changes you. Sometimes the love of your life walks in and you become something new, thus they never really know what a decadent chump you were before. I just wonder what Robert would have become had he lived, what more he would have created. We can all put some love on Little Zion and help restore Roberts grave. He was saved before he died, and it is not lost on me that fans of the blues musician that supposedly made a deal with the devil can now donate money to the church that is caring for his grave. Redeeming Robert Johnson may be a sign of the apocalypse.

IB: Your journey from being a soulful musician to a culinary enthusiast and restaurant owner is truly captivating. I can’t help but wonder how these two seemingly distinct passions intersect and influence each other. As an artist, how does your love for the culinary arts find expression in your music, if it does at all?

HD: Growing up in Mississippi and Louisiana food and music always went together. My favorite social construct. Crawfish Boil or Cuchon de lait. The party was and is food, music and libation. Seasoned and well stirred.

IB: As a seasoned performer, how do you approach preparing for your upcoming shows? Is there a specific routine or ritual you follow to ensure you deliver a memorable and captivating performance?

HD: I spend time preparing, keep the set list fresh, improvise. I have always loved improvising with great players, creating in the moment.

IB: When can fans expect to catch your upcoming shows? Are there any specific dates or time frames you can reveal, so they can mark their calendars and plan ahead?

HD: I have some family issues that limit touring this year.

Sept 21 HeavyDrunk, The Deltaz, Timbo, The Listening Room Nashville Tn. 6:00 pm

Nov 10 The Franklin Theatre Franklin, Tn.

Dec 31 New Year’s Eve Fox & Locke, Leiper’s Fork, Tn.

IB: When you need a good laugh, what’s your go-to joke or funny story that never fails to crack you up?

HD: I tend to get wrapped up in things; so I need levity to keep me on balance. I like classic movies including: The Blues Brothers, Animal House, CaddyShack. My son Bo is funny, he keeps me laughing. Patrick McManus cracks me up. Mark Twain.

IB: If you were seeking guidance from HeavyDrunk on how to become a “heavy drunk” at a bar, what specific drink would he recommend to set you on that path?

HD: I wouldn’t recommend it. I’m allergic, I break out in handcuffs. Although I have grappled with my limitations all too often, I still sometimes do. Tennessee Whiskey Straight out of the freezer or a cold Corona.