,

Layered Vocals, Danceable Beat: “Crashing With You” by Paris WYA Reviewed

Her vocal is processed and stacked, so the hook sounds like several of her singing at once. Heavy processing like this usually bugs me because the effects hog the spotlight. Here the layers just make the chorus bigger, and the melody is still what you notice. It’s also a track you want to move to, no thinking required. It isn’t trying to be clever, it’s trying to sound good loud with friends, and it’s good at that.

Small gripe: the gloss is thick enough that this single never shows me her voice without effects. For that I’ll have to go through her other tracks, which is not a bad excuse to keep listening. One line with the effects pulled back would have been nice. Since the whole thing sits under that gloss, I can’t tell how much of the feeling comes from the singing and how much from the stacking. Not a flaw exactly, more a curiosity.

Some context: she was born in Shanghai, grew up across Asia, Europe and the US, and studies at Cornell. Her EPs UNTANGLED (2024) and GLITCH (2025) were digital, synth-heavy pop. MANNEQUIN, out now, is billed as stripped-down and ethereal, about heartbreak, insecurity and grief, so a stacked, danceable chorus like this one is a striking way in.

Paris WYA dance background (ballet, jazz, hip-hop) might explain why it feels made for bodies in motion, but I won’t build a theory on that. Whatever the reason, the beat lands and the chorus does the rest.

Verdict: 8/10 for Friday nights, staying on my playlist. Not deep, doesn’t need to be. Play it loud. Anyone else getting flashbacks from this, or just me?


Gabriel Rivera Avatar

Discover more from Indie Boulevard Magazine

Subscribe now to keep reading and get access to the full archive.

Continue reading