LUNA & The Gents Make One Man’s Name Ridiculously Easy to Sing
LUNA & The Gents’ Martin belongs to the kind of…
Adrien Latgé Takes Stock of Ambition and Life Approaching Thirty on “it’s probably me”
French, London-based artist Adrien Latgé brings a working musician’s perspective…
Henry Aberson Gives Returning Feelings a Smooth Neo-Soul Groove on “Wouldn’t You Know”
Tulsa drummer and producer Henry Aberson approaches neo-soul from the…
Ervin Munir Celebrates Friendship and the People Who Shape Our Lives on “My Friend”
Norfolk singer-songwriter Ervin Munir confronts a painful goodbye on “My…
“There’s Always Another Story to Tell”: Maria Lane Looks Beyond the Relationship That Shaped Her New Album
“Hopefully he’d say he fell in love and fumbled, haha,” Maria Lane tells me midway through our interview. It is the kind of verdict that could end an argument or begin another song. Her third…
Bellamy Ackrell on Sirens: “My Creative Spirit Is More Important Than a Few Minutes of Sleep”
Bellamy Ackrell is thirteen, so the machinery surrounding a debut EP has to coexist with homework, high-school decisions, soccer…
“The Music, the Looks, the Sound, the Audience, THEY Are the Band” — Inside 32flightsdown’s Expanding Story
The parking-lot photos came before the final lineup. By the end of summer 2026, Vancouver band 32flightsdown had already…
LUNA & The Gents Make One Man’s Name Ridiculously Easy to Sing
LUNA & The Gents’ Martin belongs to the kind of…
Adrien Latgé Takes Stock of Ambition and Life Approaching Thirty on “it’s probably me”
French, London-based artist Adrien Latgé brings a working musician’s perspective…
“You Have to Keep the Faith and Keep Building!” — KOMBY DOT IO Is Already Planning His Next Album
The name KOMBY DOT IO has the slightly manic confidence of someone who secured the domain before deciding exactly what the public would find there.…
“People Were All in Tears” Solveig Sørbø Recalls the Overwhelming Response to Heroin Chic
Two days after the Norwegian premiere of Heroin Chic, five soloists, Ensemble Oslo and conductor Hans Petter Mæhle gathered at Jar Church outside Oslo to…
“There Is an Element of Uncertainty and Excitement” Inside the Second Collaboration From Sasha Shlain, Chemutai Sage and SocraTess
By the time Addiction was finished, Sasha Shlain, Chemutai Sage and SocraTess had completed two songs together, while their first photograph as a trio remained…
“Technology Does Not Create the Intention. The Artist Does” Ute Lemper Defends the AI-Assisted Creation of MOTHERS
“I see you have some challenging questions coming up,” Ute Lemper says in her first reply. She sounds pleased. Across the exchange, she pushes back,…
“It Was Their Performance Right From the Start” Tommy Z Revisits Live in Colombia
After seeing Stevie Ray Vaughan perform at Darien Lake, a teenage Tommy Z stopped at a Burger King on the drive home and found Vaughan…
“Explore It” The Zombie Fest 9 Organisers Want You to Abandon Your Timetable at the Door
Choosing one room at Zombie Fest 9 means missing five others, which is how 12 hours of music can still leave somebody complaining about a…
“Life Happens, and When It Does, It Brings Its Songs to Us”: Ivy Flindt Introduce Sphinx
Calling a pop record Sphinx invites trouble before anyone hears a note. The word arrives carrying stone, riddles, silence and several thousand years of cultural…
“This Is My Emotional Truth”: Val Opens Up About embers
When Val began in classical music, the composer had already made the biggest decisions. The notes existed, the text was fixed, and her work began…
“My Career Is Just Beginning”: Jah Decko Introduces His First English-Language Album Love Who Loves You Back
At a certain point in a long career, experience stops being a biography and becomes taste: what an artist leaves out, which advice they ignore…
“These Songs Were Meant to Be Together”: YASMINA KAÏNA on Shaping the Final Tracklist of BITTERSWEET
Pop has always preferred its lovers decisive: they fall hard, leave dramatically, block the number and discover self-respect before the bridge. Real life has worse…
“I Generally Consider Each Album as a Single Work”: Longboat Defends the Album Format
I have always thought the British postcode carries an unreasonable amount of social information for something printed beside a stamp. In London, a few letters…
“The Music Is Almost a Private Language Between Them”: F M Wilson Introduces the Friendship at the Heart of Facing the Music
The 1913 C. Bechstein grand piano in F M Wilson’s Dorset home predates the opening of ‘Facing the Music’ by a single year, a coincidence…
“I Still Enjoy Being a Beginner Whenever I’m Surprised”: Sasi Shalom on Curiosity After Five Albums
Ask Sasi Shalom what he does and prepare for a long answer. Pianist, composer, producer and synthesist all apply. So do years spent writing music…
“We Are Absolutely Allowed to Be Sensual”: Acacia Grace on Intimacy at Almost 50
Listening to Moonchild, one word keeps returning: permission. Acacia Grace gives herself room to occupy softness, sensuality and emotional uncertainty on her own terms. Soul,…
“America, Where Are You Now?”: Italian Driving Reopens the Questions Inside Monster
Italian Driving, the solo project of filmmaker and musician Alfred Thomas Catalfo, revisits Steppenwolf’s 1969 protest suite Monster/Suicide/America through a recording and video spanning American…
“Adam and I spent a lot of time trading reference tracks” — Inside the Making of Alight by The Sympathy of All Things
Dominic Parker (mastermind behind The Sympathy of All Things) has a theory about love: that it works like the universe — always expanding, always making…
“The Beat Usually Makes the Decision for Me”: How Venus Niebres Taylor Chooses the Language of a Song
Venus Niebres Taylor likes her pop with movement. Her latest album, Venus Niebres en Español, turns toward Latin dance rhythms and places Spanish at the…
“Music Has Always Been a Way for Me to Connect with Myself”: Tamari Discusses the Songwriting Behind Nice to Meet ME, Vol. 1
Tamari arrives at her first EP with a creative résumé that already includes dance, music production, acting and books. The independent artist from Pittsburg, California,…
“Those Sounds Are Very Deeply Embedded in Me”: Clíodhna Ní Aodáin Explores the Irish Roots of For the Love of Trees
Before any of its melodies entered a studio, For the Love of Trees had already taken shape beneath branches in Ireland, Switzerland and the United…
“My Listeners Love My Honesty”: Ferdinand Rennie Discusses the Emotion Behind You Wrote Hallelujah
Songwriting credit sits at the heart of You Wrote Hallelujah, the latest single from Austrian-born, Scotland-based singer Ferdinand Rennie. Written by Michael Andrew Storm and…
Paul Stone & The Basement Collective: “We All Have Input to Create That Human Vibe”
Paul Stone has built his musical life around patience, close relationships and work that carries the weight of lived experience. The Yorkshire songwriter leads Paul…
Paris WYA on MANNEQUIN: “I’m not asking, “Who am I?” anymore. I’m asking, “What kind of life do I want to create?””
When Paris WYA talks about music, she often returns to one question: how do you hold on to yourself when every city and audience expects…
Prima Apollinaare: “Today I Know Where I Stand, What I Want, and Most of All, Who I Am”
Prima Apollinaare grew up in a house with a piano she was not allowed to touch. Her mother was a singer and actress. Her father…
Merchant Seaman, Rapper, Filmmaker: Sk8tie Is Building Something Bigger Than a Single
The streets where Khiry Bivins grew up carry names like Pinocchio, Tinkerbell, and Goldilocks. He will be the first to tell you that the neighborhood…
Martin Luther McCoy: “I Don’t Drop Songs Every Day or Week or Month. When Purpose Finds Me, I Respond”
Martin Luther McCoy has never done things the way you’d expect. He grew up in San Francisco absorbing church, soul, funk, and Bay Area street…
TRIPI: “I Wanted to Quit This Project a Thousand Times. That’s How I Knew I Couldn’t Ignore the Call”
Tony Tripi has spent his adult life helping other people navigate the worst moments of theirs. He joined the Coast Guard as a teenager, battled…
Stephanie Seymour on Recording With Her Husband: “Things Will Get Heated — Then We Start Laughing Because It’s So Typical”
Stephanie Seymour spent sixteen years inside the music industry at Island Records and Virgin Records, watched it eat itself alive, and built her own career…
Miist: “I Couldn’t Convince Myself That Anything I Would Write Would Be Good Enough”
Miist was 34, working as a bookkeeper, when a friend kept insisting she could write a song. She sat down at a piano to prove…
Steven Keene: “The Win Is the Finished Song. Everything Else Is Pure Bullshit”
Steven Keene has spent four decades writing folk music without a major label, without a marketing budget, and without much interest in either. He came…
PREMIERE: “The Only” — Inside the Song Tamar Kaprelian Wrote the Chorus to 15 Years Before Becoming a Mother
Tamar Kaprelian was signed by Clive Davis and Jimmy Iovine. Dropped. Instead of staying in that wreckage, she went and built Nvak Collective — a…
“I Don’t Know That I’m Capable of Being Inauthentic” — Bernie Sirelson on Staying True to Sound Over Strategy
Some artists chase relevance. Bernie Sirelson chases something else entirely — a 22-minute track named after a kosmische legend who passed in 2022, released into…
“I Was on a Plane in Amsterdam, Dealing with Anxiety About Being Away from My Kids” — Wyatt Lowe on the Real Story Behind “The Road Back to You”
Wyatt Lowe released his first record at thirteen. Was touring nationally by fifteen. Not as some industry-backed prodigy with a manager and a five-year plan…
“I Have to Approach Improvisation NOT as a Jazz Player” — Steve Wilson on the Billy Childs Concerto That Changed How He Hears Himself
There are musicians who chase the spotlight, and there are musicians the spotlight has to chase. Steve Wilson is neither. He’s been in the room…
“Billie Eilish Ignored My Track” — Vegan Rapper ColdPoison Calls Out the Biggest Name in Plant-Based Pop
ColdPoison is an independent vocalist and rapper from the vegan movement, and if you just rolled your eyes — honestly, that’s exactly the reaction he’s…
“The Stories Belong to Me. The Emotions Belong to Everyone.” Laura Mazon Franqui on Making a Personal Album Public
Classical guitar rarely becomes the occasion for a conversation about grief, identity, and the color red. But Cuban guitarist Laura Mazon Franqui knows how to…
“Muscle Memory Is a Myth”: Pete Cater on What It Really Means to Play in the Moment
Born in Staffordshire in 1963, he was drawn into jazz almost before he could walk, shaped from infancy by a father who lived and breathed…
“I Still Think I’ve Got a Pretty Good Head of Hair for 55” — Rodeo Terrorists on Football, Scotland and Not Taking Any of It Too Seriously
Richard is a 55-year-old IT manager from England. He spent years working behind the scenes of the pop industry — building websites for Britney Spears,…
Michael V. Doane Breaks Silence on Years Away From Music: “I Finally Had Something to Say”
Michael V. Doane has worked on both sides of the cultural divide — an indie garage label and Shakespeare in a black box theater, Broadway…
Filip Clements: “If It’s Honest and It Connects, It Can Travel”
His debut EP Taking Flight drops April 30th on Eastcote Recordings — and the biography behind these four tracks is hard to make up. A…
“I’ve Been Using Music to Write About My Emotions Since I Was 6”: Maria Ellis on “Relapse”
Maria Ellis grew up in a Greek Orthodox family on Long Island, writing songs before she understood that’s even what songwriting was, and by twelve…
“Hollywood X Vine,” Moving to the West Coast, and “April’s Fool.” A Candid Interview With Matt Nation
Matt Nation is an independent artist from Brooklyn who at some point packed his bags and relocated to Los Angeles, dragging his whole production kitchen…
Michael Wolff on Intimacy, Legacy, and Letting the Music Take the Wheel
Michael Wolff is one of those rare jazz artists who feels like living history without ever sounding like a museum piece. A virtuoso pianist whose…
“I Had Homesickness for a Place I Had Never Visited”: Alex Kilroy on Romania, Nashville, and Break My Chains
Getting time with Alex Kilroy isn’t easy — not because of handlers or label gatekeeping, but because the man simply doesn’t stop moving. Between Nashville…
Lettie on AI, Frozen Pizza, and Why the Space Around a Song Matters More Than Ever
If you don’t know Lettie yet, that’s partly by design and partly the cruel math of an industry that rewards Spotify-gaming dentists over artists who…
Doug Howard on Controlled Lunacy, Swallowing Bees Onstage, and Building a Show From an ICU Bed
Doug Howard has spent 45 years in rock ‘n’ roll — and still calls his career “controlled lunacy.” Bassist, vocalist, founding member of Touch, co-writer…
“I Decided to Go Through With It While Being Terrified” — Jamma on Why She Waited a Decade to Release Music
JAMMA is an Italian in Los Angeles who spent over a decade studying, performing live, and staying silent in the studio before releasing a single…
“Certain Scents Can Stop You in Your Tracks” — Charlie Aky on the Power Behind “Perfume Regret”
Charlie Aky is the kind of artist who is already making things worth paying attention to. A guy from the UK who walked away from…
“The Stability Could Break at Any Moment” — Pianist Anastasiya Bazhenova on Her Debut Album and the Psychology Hidden Inside Mendelssohn
Pianist Anastasiya Bazhenova’s debut album traces a path from clarity to madness — through Mendelssohn and Prokofiev. We spoke with her about why classical music…
Ava Della Pietra Knows What Happens at 3AM: An Exclusive Interview
Most people who land on Broadway before high school end up chasing that feeling forever. Ava Della Pietra went somewhere else entirely. After School of Rock and Les…
Alexis Strum Is Already Writing Album Four. She Admits This Might Be Insane.
Releasing a heartbreak single the day before Valentine’s Day is either a provocation or a manifesto. For Alexis Strum, it’s both — and neither, really.…
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